Images

• Hampstead Heath in February
• 16 Miles Apart
• Last few days of 2016
• Community, Gardens #1
• Sanctuary
• Sites of Special Scientific Interest
• Graffiti X
• Plants in Paradise
• Four Super Pits
• Oxford Street, An Inquiry Into Nature
• Occupy London

Words

• Making Marks
• New Insights, Old Baggage
• Life and Landscape on the Norfolk Broads, Peter Henry Emerson
• Nature as Female
• Visual baselines and photography between the poles: Visiting DOCUMERICA
• Navigating Climate Visuals
• Nature Photography on Instagram According to Hashtags
• Visualising the Earth, the Anthropocene, and Gaia
• Richard Misrach, Man-Mauled
• Saving Mallows Bay
• Fernando Brito, Your Steps Were Lost in the Landscape
• Environmental Photography
• Fresh Insights and New Perspectives: World Press Photo 2016
• Google Street View: New Technology, New Approaches? New Connections?
• Visualising Climate Change at COP 15
• Seeing Alan Kurdi
• Chthulucene Photography
• Anthropocene Photography
• Camille Seaman, The Last Iceberg
• Vincent Fournier, Space Project
• Victoria Sambunaris, Taxonomy of a Landscape
• Jürgen Nefzger, Fluffy Clouds
• War Photography & Political Change
• Networked Lenses
• Bomb Ponds, Bomb Craters
• James Nachtwey, Why Photograph War?
• Joan Fontcuberta, In Search of Truths
• Alejandro Cartagena, Lost Rivers
• The Ecological Perception of Karen Glaser
• George Barnard, Sherman’s Campaign
• Boris Mikhailov, Tea Coffee Cappuccino
• What is Environmental Photography For?
• Mishka Henner, Feedlots
• David Thomas Smith, Anthropocene
• Edward Burtynsky, Water
• People of DOCUMERICA