Index

Images

• Anti-Atlas
• Hampstead Heath in February
• 16 Miles Apart
• Last few days of 2016
• Community, Gardens #1
• Sanctuary
• Sites of Special Scientific Interest
• Graffiti X
• Plants (in Paradise)
• Four Super Pits
• Oxford Street, An Inquiry Into Nature
• Occupy London

Words

• Metaphors of complexity
• Artificial Intelligence and the Planetary Sublime
• John Pfahl, So Subtle It Hurts
• Anthropocene Photography for the 2020s
• Amazonia’s Fires and the Cultural Climate of 2019
• Nature Photography as Taxidermy
• Lorraine, Pamela Littky
• Picturing Empire, Photography & Geography
• Rejections, Keith Arnatt
• Making Marks
• New Insights, Old Baggage
• Visual baselines and photography between the poles: Visiting DOCUMERICA
• Navigating Climate Visuals
• Visualising the Earth, the Anthropocene, and Gaia
• Richard Misrach, Man-Mauled
• Fernando Brito, Your Steps Were Lost in the Landscape
• Environmental Photography
• Fresh Insights and New Perspectives: World Press Photo 2016
• Google Street View: New Technology, New Approaches? New Connections?
• Seeing Alan Kurdi
• Chthulucene Photography
• Anthropocene Photography
• Camille Seaman, The Last Iceberg
• Vincent Fournier, Space Project
• Victoria Sambunaris, Taxonomy of a Landscape
• Jürgen Nefzger, Fluffy Clouds
• Networked Lenses
• Bomb Ponds, Bomb Craters
• James Nachtwey, Why Photograph War?
• Joan Fontcuberta, In Search of Truths
• The Ecological Perception of Karen Glaser
• George Barnard, Sherman’s Campaign
• Boris Mikhailov, Tea Coffee Cappuccino
• What is Environmental Photography For?
• Mishka Henner, Feedlots
• David Thomas Smith, Anthropocene
• Edward Burtynsky, Water
• People of DOCUMERICA